James Herbert
The man who built the British mass market for horror: Herbert's paperbacks made the genre a working-class national pastime in the 1970s, and the visceral, urban, set-piece-driven school he founded runs through British horror…
The broad church of ghouls, demons, possessions and things that should not be, mass-market wing included.
The man who built the British mass market for horror: Herbert's paperbacks made the genre a working-class national pastime in the 1970s, and the visceral, urban, set-piece-driven school he founded runs through British horror…
Simply the most important horror writer who has ever lived, by reach: King made the genre a mass medium, trained generations of readers and writers, and his best books — The Shining, The Stand, It — are American literature…
The bridge between Howard and modern fantasy, the founder of urban supernatural horror, and sword and sorcery's official christener.
The great normaliser of horror: by relocating the uncanny to postwar ordinary life, Matheson built the road King drove down, and I Am Legend's last-man-amid-infection template underwrites half of modern apocalyptic fiction and…
A founding text of mummy fiction, feeding into Universal's and Hammer's mummy film cycles (Blood from the Mummy's Tomb adapts it directly).
The most influential early occult-detective collection after Le Fanu, paving the way for Carnacki, Miss Hammer and every psychic investigator since.
The foundational modern-witchcraft novel, filmed three times (best as Night of the Eagle / Burn, Witch, Burn) and the clear ancestor of suburban-occult fiction from Ira Levin onward.
The story that made the Ripper a permanent supernatural property — its descendants run from Harlan Ellison's anthology sequel to a thousand screen variations — and early evidence of Bloch's pivot…
The classic rationalised-werewolf novel, bridging pulp horror and SF; its 'witch-gene among us' premise echoes through urban fantasy's entire hidden-species tradition.
Filmed twice as Village of the Damned (the 1960 version a classic) and the source of the 'creepy psychic children' archetype that horror has never put down since.
The great American dark fantasy of childhood and the founding text of 'October country' horror; its fingerprints are all over Stephen King, who says as much.
The dark twin of Hill House and the template for the 'team investigates bad place' structure that powers half of modern horror cinema; filmed in 1973 as The Legend of Hell House from Matheson's…
The debut that launched horror's biggest career and, via De Palma's 1976 film, a permanent cultural archetype: the bullied girl as apocalypse.
The book that founded modern British mass-market horror — the 'nasty' done with real craft and class fury — launching Herbert's career, two sequels and the template for every revolt-of-nature…
The book that confirmed The Rats was no fluke and fixed Herbert's signature — civic catastrophe as a sequence of unforgettable atrocities — influencing the entire British disaster-horror line…
The book where British horror's modern voice — municipal, paranoid, precisely seedy — first sounded at novel length; the foundation of Campbell's six-decade dominance of the field's literary wing.
King's first hardcover bestseller and the modern benchmark for the possession-by-place narrative; Kubrick's 1980 film is canonical cinema and the subject of King's most enduring authorial grudge —…
The book that, with King's early run, defined the late-70s horror boom's upper register — King has called it one of the finest horror novels of the century — and the modern model for the…
The summit of King's 1980s — a #1 bestseller that made Pennywise a global archetype, renewed by the record-breaking 2017 film — and the fullest statement of his great subject: what childhood knows…
Source of Hellraiser (1987), directed by Barker himself, and of Pinhead's permanent place in horror iconography; the most influential treatment of the 'be careful what you summon by wanting' theme…
The novel that announced the British boom's commercial wing: a thousand-page genre hybrid that made 'the dead return, in space' into the decade's most audacious premise.