Stephen Baxter
The keeper of British SF's cosmological flame: the bridge from Wells, Stapledon and Clarke to the modern field, and the standard for fiction in which the universe's full history is the stage.
What-if worlds where history took the other fork: Axis victories, surviving Romes and timelines gone sideways.
The keeper of British SF's cosmological flame: the bridge from Wells, Stapledon and Clarke to the modern field, and the standard for fiction in which the universe's full history is the stage.
The genre's great metaphysician.
Twice a revolutionary: as editor he made the New Wave happen, and as writer he rewired heroic fantasy with Elric, whose shadow falls on every brooding anti-hero with a cursed weapon since.
The standard-bearer for utopian hard SF and the writer who made climate fiction a serious policy conversation.
The bridge between cyberpunk and Silicon Valley's self-image: the Metaverse, Google Earth's acknowledged inspiration (Snow Crash's Earth software) and a tech-industry readership that treats his novels as product roadmaps.
Hugo winner (1963), the novel that legitimised alternate history as serious SF, and the basis of Amazon's long-running 2015 series.
Sidewise Award winner for alternate history; NASA-procedural SF's high-water mark, dramatised by the BBC and visibly ancestral to For All Mankind.
Locus winner and a Hugo finalist; the hacker generation's foundational epic, credited with seeding real cypherpunk and cryptocurrency thinking, and gateway to his Baroque Cycle prequels.
Locus winner and a Hugo finalist: the most ambitious counterfactual the genre has produced, and the standard rebuttal to Eurocentric future histories.