The Once and Future King
The definitive modern Arthuriad: source of Camelot the musical, an acknowledged wellspring for writers from Gaiman to Rowling, and one of fantasy's few genuine tragedies.
Book Entry · Fantasy
by T. H. White · 1938 · The Once and Future King, book 1
The Wart — orphan, page, and future King Arthur, though nobody knows it — is educated by Merlyn, a wizard living backwards through time with a talking owl and a tendency to anachronism. The lessons are transformations: as perch, merlin, ant, wild goose and badger, the boy learns successive answers to the question of how power should live with strength. Around the lessons romp questing beasts, jousting send-ups and Robin Wood (not Hood, he's particular). The standalone 1938 text is gentler and stranger than the revised version White later folded into the tetralogy.
The twentieth century's most beloved Arthurian opening, source of Disney's 1963 film, and the template for the 'magical education' subgenre that Rowling industrialised.
White's Arthurian cycle, from the Wart's enchanted education to the ruin of the Round Table — comedy ripening into tragedy.
In the Guide from The Once and Future King:
The definitive modern Arthuriad: source of Camelot the musical, an acknowledged wellspring for writers from Gaiman to Rowling, and one of fantasy's few genuine tragedies.
Whitbread Book of the Year 2001 — the first children's book ever to take the overall prize — and the most theologically audacious bestseller in the YA canon; the trilogy's capstone and lightning rod alike.
Guardian Award winner and the launch of Chrestomanci: the wittiest of the great British children's fantasy sequences and a visible ancestor of the boarding-school-magic boom that followed two decades later.