The Curse of Chalion
Hugo and World Fantasy finalist (its sequel Paladin of Souls swept Hugo and Nebula); the modern benchmark for theological fantasy and the favourite Bujold of a sizeable faction.
Book Entry · Fantasy
Moorish Spain, renamed: Al-Rassan's caliphate has shattered into petty kingdoms, the Jaddite north is rising, and the Kindath (the book's Jews, moon-worshipping and twice-taxed) survive between. Kay arranges history's collision through three people who would, in a kinder world, have been allowed to keep each other: Rodrigo Belmonte, the northern captain (the Cid, quarter-turned); Ammar ibn Khairan, poet, diplomat and king-slayer of Al-Rassan; and Jehane, the Kindath physician who loves them both. The ending — two armies, two friends, one duel the narrative refuses to let the reader watch knowingly — is Kay's cruellest and finest trick. No magic to speak of; none needed.
Routinely named among the best historical fantasies ever written, and the standard answer to 'where does Kay's method peak?' — convivencia and its destruction rendered with full novelistic grief.
Hugo and World Fantasy finalist (its sequel Paladin of Souls swept Hugo and Nebula); the modern benchmark for theological fantasy and the favourite Bujold of a sizeable faction.
The Empire trilogy is routinely ranked among the finest political fantasy ever written — proof that the 'invaders' of Magician had the richer story, and a model for every court-intrigue fantasy since.
Widely rated among the best vampire novels of the century — Martin's pre-Westeros masterpiece, demonstrating the moral-greyness machinery a decade before A Game of Thrones, and a clear ancestor of the sympathetic-vampire mainstream.