Book Entry · Fantasy

Cover of The Lion, the Witch and the Wardrobe

The Lion, the Witch and the Wardrobe

by C. S. Lewis · 1950 · The Chronicles of Narnia, book 1

More Lewis → Reviews on SFcrowsnest

What is The Lion, the Witch and the Wardrobe about?

Four evacuated children, one spare room, one wardrobe with no back: Lucy Pevensie steps through fur coats into snow, meets a faun carrying parcels, and opens the doorway to Narnia — a hundred years winter-bound under the White Witch, and never Christmas. Edmund's betrayal for Turkish delight, the thaw that runs ahead of Aslan like a rumour, the Stone Table cracked and the deeper magic from before the dawn of time: Lewis built the central myth of his faith into a children's adventure with such directness that generations absorbed it before noticing. Tolkien hated the mishmash — fauns, Father Christmas, talking beavers. A hundred million readers have registered their dissent.

Why it matters

One of the bestselling books ever written and the archetypal portal fantasy: the wardrobe is now a load-bearing structure of the entire genre, and the BBC and Disney adaptations renewed its franchise generation by generation.

Where does it sit in the series?

Seven books, one wardrobe, a lion who is not a tame lion: Lewis's portal-fantasy cycle that has carried generations of children into the genre and argued theology with them on the way.

In the Guide from The Chronicles of Narnia:

Get a copy

Prefer Amazon? Buying through these links may earn SFcrowsnest a small commission, at no extra cost to you.

Buy on Amazon UK → Buy on Amazon US →

As an Amazon Associate, SFcrowsnest earns from qualifying purchases.

Read next

The Amber Spyglass

Philip Pullman · 2000

Whitbread Book of the Year 2001 — the first children's book ever to take the overall prize — and the most theologically audacious bestseller in the YA canon; the trilogy's capstone and lightning rod alike.

Charmed Life

Diana Wynne Jones · 1977

Guardian Award winner and the launch of Chrestomanci: the wittiest of the great British children's fantasy sequences and a visible ancestor of the boarding-school-magic boom that followed two decades later.

Fire and Hemlock

Diana Wynne Jones · 1985

A cult masterpiece of mythic YA — the standard against which Tam Lin retellings are measured — and the Jones novel writers (Gaiman included) most often name when asked what the form can do.