Mort
Widely cited as the point Discworld became Discworld — the first book carried by character and theme rather than parody — and the foundation of the Death sequence, the series' most beloved strand.
Book Entry · Fantasy
by Terry Pratchett · 1983 · Discworld, book 1
Twoflower, the Discworld's first tourist — four-eyed, relentlessly optimistic, owner of sapient pearwood Luggage that follows him on hundreds of little legs and eats people who threaten it — arrives in Ankh-Morpork with a camera and inconvenient quantities of gold, and is assigned for safekeeping to Rincewind: failed wizard, accomplished coward, fluent in scream. Their flight across the Disc parodies Leiber, McCaffrey and the entire fantasy shelf, ends on a literal cliffhanger over the Rim, and introduces a flat world on four elephants on the turtle Great A'Tuin, sex unknown. The satire is still warming up; the furniture is already immortal.
The launch of the bestselling and best-loved comic fantasy series ever written — rougher than what followed, and historically indispensable: every Discworld reread starts somewhere, and the Luggage debuts here.
Forty-one novels on a flat world carried by four elephants on a giant turtle: Pratchett's comic mirror in which wizards, witches, coppers and DEATH reflect everything that matters about the round one.
In the Guide from Discworld:
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Widely cited as the point Discworld became Discworld — the first book carried by character and theme rather than parody — and the foundation of the Death sequence, the series' most beloved strand.
Guardian Award winner and the launch of Chrestomanci: the wittiest of the great British children's fantasy sequences and a visible ancestor of the boarding-school-magic boom that followed two decades later.
Jones's best-known book worldwide thanks to Miyazaki's Oscar-nominated 2004 film — which she enjoyed while noting it was someone else's story — and a permanent fixture of comfort-fantasy canons.