Blood of Elves
Premio Ignotus and (retrospectively) David Gemmell Legend Award winner: the pivot from celebrated stories to continental saga, and the template for the games' and series' Ciri-centred mythology.
Book Entry · Fantasy
by Stephen R. Donaldson · 1977 · The Chronicles of Thomas Covenant, book 1
Thomas Covenant — bestselling author, then leper, then pariah, his wife and son gone, two fingers gone, survival itself a discipline of unrelenting vigilance — is struck by a police car and wakes in the Land: a world where the earth itself is health, his white-gold wedding ring is wild magic, and everyone hails him as the reborn hero Berek Halfhand. Convinced it is a dying dream that will kill him if he believes it (hope, for a leper, being the fatal disease), he commits early on an act of violence the book never lets him or the reader bury, and walks his bargain with Lord Foul to its end as the Unbeliever. Epic fantasy's first truly unforgivable protagonist.
The founding novel of anti-escapist fantasy — a bestseller that split readers permanently and opened the territory grimdark later settled; the Land's rendered beauty remains the genre's sharpest weapon against its own hero.
A leper summoned to a Land that worships him as a reborn hero — and his ruinous refusal to believe in it. Anti-escapist epic fantasy's founding saga.
In the Guide from The Chronicles of Thomas Covenant:
Premio Ignotus and (retrospectively) David Gemmell Legend Award winner: the pivot from celebrated stories to continental saga, and the template for the games' and series' Ciri-centred mythology.
The book where the Shannara saga found its own voice; its tree-rebirth tragedy remains one of commercial fantasy's most affecting endings, and it anchored the MTV adaptation.
The trilogy regularly named Hobb's best by her peers (Martin among them): a masterclass in multi-viewpoint structure whose serpent/dragon payoff rewires the entire Elderlings sequence.