The Name of the Wind
Quill Award winner and one of the century's defining fantasy debuts: the high-water mark of the lyrical first-person epic, with a readership whose patience for book three has become genre folklore in itself.
Book Entry · Fantasy
by Patrick Rothfuss · 2011 · The Kingkiller Chronicle, book 2
Day two of the telling, and Kvothe's legend goes professional: a term among the Maer's court politics in Vintas, a bandit hunt in the Eld that ends in the Fae realm with Felurian (the interlude readers argue about most), training in the Adem's mercenary canon of the Lethani, where his music is property and his swordsmanship merely adequate, and the massacre of a false troupe that hardens his name from prodigy to killer. The frame tightens between sessions — the inn's silence less retirement than wreckage, Bast's agenda less loyal than it looks. Longer, looser and darker than its predecessor, with the gap between legend and liar widening on purpose.
A #1 New York Times bestseller that consolidated the Chronicle's blockbuster status — and the last published day of fantasy's most famous unfinished story.
Kvothe tells his own legend across three days — arcanist, musician, kingkiller — while something waits outside the inn. Two days told; the third, famously, pending.
In the Guide from The Kingkiller Chronicle:
Quill Award winner and one of the century's defining fantasy debuts: the high-water mark of the lyrical first-person epic, with a readership whose patience for book three has become genre folklore in itself.
The Elenium demonstrated the Eddings machine ran just as well with older protagonists and darker church politics — and its weary knight-errant prefigured a generation of middle-aged fantasy leads.
The launch of the genre's bestselling post-Tolkien saga (ninety-plus million copies): for the 1990s, this was what 'epic fantasy' meant, and Amazon's 2021 series renewed the franchise for another generation.