The Kingdom Beyond the Waves
The Jackelian sequence's consensus favourite: the volume that proved the world could support standalone adventures in any genre key, with Amelia Harsh as Hunt's most quoted heroine.
Book Entry · Fantasy
by Stephen Hunt · 2007 · The Jackelian Series, book 1
Two orphans, one kingdom-sized pressure vessel: Molly Templar, workhouse girl with something in her blood that draws assassins, and Oliver Brooks, registered-dangerous ward of the worldsinger order, flee in parallel through the Kingdom of Jackals — a gaslamp nation of pneumatic towers, steammen knights with their own gods, exiled revolutionaries and the all-seeing aerostat intelligence service of the title. Beneath the chase plot, Hunt packs in Chartist politics, Aztec-flavoured elder horrors and a positive Dickensian relish for institutional cruelty, at a pace that rarely pauses to refuel. The furniture is brass; the engine is pure pulp adventure, run hot.
One of the defining novels of the 2000s steampunk revival: a HarperCollins Voyager lead title sold into a dozen-plus languages, launching the six-volume Jackelian sequence and establishing gaslamp fantasy's commercial viability.
The Kingdom of Jackals: pneumatic towers, steammen knights, worldsinger sorcery and revolution in the airship lanes — Hunt's gaslamp sequence at the front of the steampunk revival.
In the Guide from The Jackelian Series:
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The Jackelian sequence's consensus favourite: the volume that proved the world could support standalone adventures in any genre key, with Amelia Harsh as Hunt's most quoted heroine.
The opening of the Realm of the Elderlings, modern fantasy's great life-study: the book that put first-person psychological interiority at the centre of the epic form, with a generation of writers following.
Grimdark's defining debut: the close-voice, blackly comic register it established is now the house style of adult fantasy, and Glokta is the subgenre's signature creation.