The City & the City
Hugo (tied), World Fantasy, Clarke and BSFA winner — a near-sweep — and the book that carried Miéville furthest into the literary mainstream; its 'unseeing' entered critical vocabulary as shorthand for trained urban blindness.
Book Entry · Science Fiction
Guy Montag is a fireman: he burns books, in a future where they are banned less by tyranny than by a population that voted for wall-sized televisions, sport and serenity over difficulty. A chance meeting with the curious Clarisse cracks his certainty; possession of a stolen Bible breaks it; and Montag ends among the book-people of the railway lines, each one a walking memorised text. Written in a library basement on coin-operated typewriters, it is Bradbury's angriest and most prophetic book — he insisted the real villain was not censorship but distraction.
One of the most-taught novels in the English-speaking world and a perennially renewable warning. Truffaut filmed it in 1966; the title became shorthand for censorship itself.
Hugo (tied), World Fantasy, Clarke and BSFA winner — a near-sweep — and the book that carried Miéville furthest into the literary mainstream; its 'unseeing' entered critical vocabulary as shorthand for trained urban blindness.
The genre's most famous avant-garde novel and an enduring proof that SF readers will follow real difficulty if the sentences earn it.
Locus Award winner, twice filmed for television, and her tribute-in-kind to Philip K.