The Drowned World
A founding text of both the New Wave and, retrospectively, climate fiction; its psychological inversion of the disaster story remade the form.
Book Entry · Science Fiction
Conrad Nomikos — arts commissioner of a depopulated, radiation-mutated Earth, several centuries old and cagey about it, possibly the Great Pan and possibly just a Greek with a limp — is assigned to escort a blue-skinned Vegan dignitary on a tour of the planet's ruins, knowing half the party wants the alien dead and the other half may be right. Mythology breathes under every Aegean rock, the banter is permanently cocked, and the question of whether Earth becomes a souvenir or a homeland turns on Conrad's stubborn, secret love for the place. Serialised as ...And Call Me Conrad.
Tied with Dune for the 1966 Hugo — the upset that announced the New Wave generation. Conrad's immortal wise-guy voice became a genre standard issue.
A founding text of both the New Wave and, retrospectively, climate fiction; its psychological inversion of the disaster story remade the form.
Hugo and Nebula winner, and one of the most reprinted SF stories ever written — the genre's definitive fable of civil disobedience.
Whitbread Book of the Year 2001 — the first children's book ever to take the overall prize — and the most theologically audacious bestseller in the YA canon; the trilogy's capstone and lightning rod alike.