The Bye Bye Man (2017) (film review by Frank Ochieng)

January 17, 2017 | By | Reply More

Well, there are a couple of things that one can praise ‘The Bye Bye Man’ for in an attempt to give this incredibly unoriginal teen screen horror showcase some flimsy credit. For starters, ‘The Bye Bye Man’ continues the tradition of being another unforgettable goosebump saga to become meager fodder in the cinematic dumping ground of the new year movie season in January where a majority of flaccid frightening farces go on to linger in obscurity. Secondly, one must admit that the film’s title is somewhat catchy-sounding (okay, most of you may dismiss it as ‘dumb’). Otherwise, waving off the dullness of ‘The Bye Bye Man’ is the only satisfaction that warrants one’s indifference to this piece of faceless slasher sludge.

Interestingly, ‘The Bye Bye Man’ is a collaborative effort by the husband-wife team of screenwriter Jonathan Penner and director Stacy Title. Title, a veteran of a few anemic scare tactic features that include 2007’s ‘Snoop Dogg’s Hood Of Horror’ and 1999’s ‘Let The Devil Wear Black’, shows little imagination here as the direction is woefully stillborn and contributes to the cheaply-made quality of this breathless boofest. Penner, mostly known to American television audiences as a three-time contestant on the long-running reality TV series ‘Survivor’ (2000-present) as well as a one-time Academy Award nominee, delivers a spotty and mundane script that does not even begin to challenge his intentions on presenting a macabre presentation looking to tackle the meaty psychology of what makes the misguided motivations of man so intriguing. Basically, ‘The Bye Bye Man’ is banal and has no true backbone on which to ride this amateurish thrill-ride to the formulaic gates of gore.

In confusing fashion, the film’s opening features a shotgun-wielding man mowing down random folks in cold blood. During his carnage, he repeatedly warns his unsuspecting prey or more so convincing himself as a personal reminder to ‘Don’t think of it, don’t say it!’. This repetitive phrase is uttered over and over but it does not stop this mad man from committing his heinous crimes back in the late 1960s in woodsy Wisconsin.

The story skips to modern-day Wisconsin where the setting involves some college kids rejecting their dorms for off-campus living in a decrepit house not far from their university. Sweethearts Elliott and Sasha (Douglas Smith and Cressida Bonas) and athletic buddy John (Lucien Laviscourt) take up residence in the deteriorating place and it does not take long before Elliott discovers the scribbling message, ‘Don’t think it, don’t say it!’ on wooden furniture, not to mention the creepy cretin whose words he reads with curiosity, ‘The Bye Bye Man.

Conveniently, a fourth friend joins in the mix in goth chick Kim (Jenna Kennell) whose expertise in the occult helps bring about what amounts to be the strange haunting of the titular troublemaker outed courtesy of Kim’s impromptu séance.

Naturally, the inquisitive Elliott wants to research the backstory of The Bye Bye Man and ends up turning to a source that was terrorised by the crazed character, a journalist that luckily survived the confrontation with the murderous misfit in the 60s. Also, the journalist provides the scoop for Elliott as he explains the eerie legend behind what drives The Bye Bye Man’s sadistic impulses. As long as one does not mention his name or think about him, then the curse of his maniacal manner can be eradicated. In other words, refraining from having The Bye Bye Man’s name on your lips can allow you to survive another day but should you defy his wishes then you are toast. Plain and simple. Are you shaking in your boots yet, gang?

So are these collegiate kids ready to say hello to THE BYE BYE MAN? Hmmm…are they engaged in a seance or involved in a competitive game of Scrabble?

Sadly, The Bye Bye Man is nothing more than a convoluted creeper that does not have much execution behind its gimmicky, shadowy mask. This hackneyed horror dud wants to build some kind of off-kilter mythology and tries to give the ole college try in soul-searching the warped motivations for thirsty mass murdering mayhem. Unfortunately, this junk-minded jolt session is transparent in thrills while harboring the same old sketchy CGI special effects and tossing around disposable characterizations that we actually do not mind The Bye Bye Man terminating just to supply the unintentional chuckles. This lifeless nail-biter is as original as finding plasma bags at your local blood drive. Cinema spouses Title and Penner concoct a feeble frightfest that never resonates beyond the film’s idiotic need to reinforce the caustic catchphrase, ‘Don’t think it, don’t say it!’ as if this brings some sort of shady sheen to this dreadfully generic affair.

The mystery concerning The Bye Bye Man’s ominous slaughtering certainly does not match the mystery concerning why veteran Academy Award-winning actress Faye Duaway is on board as the widow of the killing name-phobic nemesis as her character cannot explain the troubling proceedings of her ex. Hey, if Dunaway can survive the campy cult classic ‘Mommie Dearest’ from many moons ago, then she can certainly survive the wretched The Bye Bye Man. On second thought…perhaps not!

The Bye Bye Man (2017)

STX Entertainment

1 hr. 36 mins.

Starring: Douglas Smith, Cressida Bonas, Lucien Laviscourt, Jenna Kanell, Doug Jones, Faye Dunaway, Carrie-Anne Moss and Erica Tremblay

Directed by: Stacy Title

MPAA Rating: PG-13

Genre: Horror

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) Frank Ochieng 2017



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Category: Films, GENRE, Horror, MEDIA

About the Author ()

Frank Ochieng has contributed film reviews to SF Crowsnest off and on since 2003. He has been published in other various movie site venues throughout the years. Ochieng has been part of The Online Film Critics Society (OFCS) and had written film reviews for The Boston Banner newspaper (USA) and frequently is a media/entertainment panelist on WBZ NewsRadio 1030 AM on "The Jordan Rich Show" in Boston, Massachusetts/USA.

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