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Wonder Park (2019) [a film review by Frank Ochieng].

It sort of feels sacrilegious in browbeating what appears to be an innocuous children’s animated film about a young girl’s wild imagination to offset some personalised pain as she pals around with fuzzy animals in a surreal amusement park. This is indeed the foundation for the flimsy kiddie fantasy ‘Wonder Park’ that trivialises the instilled grief of a youngster while paddling this trite treat with bouncy beasts and an A-list cast of voiceover artists contributing to this flappy farce. Predictable, lazy-minded, manipulative and tediously annoying, ‘Wonder Park’ is a forgettable tots’ tale that tries to mean well but is as inviting as a closed carnival attraction under repair.

Although openly energetic and pushing the right buttons when highlighting the usual trapping of an escapist animated fable, ‘Wonder Park’ feels rather clumsy in its bid to parlay a young girl named June’s (Brianna Denski) odd behavior into a head-scratching stretch of creativity and imagination to mask away some embedded conflict. This amiable puff-piece for the youngster crowd may be appealing for its suggestive sweetness, gimmickry of talking animals and the overall joy of carefree craziness that besets the realm of a colorful journey.

However, this mishmash of production is deemed aimless. Also, it is strangely borderline as being dismissive and insulting in its misguided message about handling youth-oriented crisis. Inexplicably, the aforementioned voice work from such notable names as Jennifer Garner, John Oliver, Kenan Thompson, Mila Kunis, Matthew Broderick and Ken Jeong brings nothing particularly excitable to the table in this toothless, junior-oriented romp.

June and her supportive mother (Jennifer Garner) are instrumental in inventing a magical amusement park known as Wonderland. Both her mother and father (Matthew Broderick) encourage their daughter to think vividly about her creations. Everybody seems to indulge in June’s imaginary fun playground where Wonderland comes to life as it is being run by ridiculous talkative animals. Additionally, others involved in this merry mix are the “chimpazombies” that insist on causing further turmoil within this playful haven. Still, June seems to be in a good place…or so she thinks until the unthinkable happens.

Weirdly, the movie takes a tricky turn for the worst when it is revealed that June’s mom is suddenly diagnosed with a serious illness. She leaves home for continued treatment and poor June is left understandably devastated. Feeling distraught and helpless, June decides to abandon all her creative consciousness concerning Wonderland. So the little depressed diva shuts down emotionally.

Geez, talking about an awkward curveball to corrupt a seemingly feel-good, kid-friendly concoction! The tactical decision to sabotage this paper-thin PG-rated diddy and turn it into an unexpected downer is utterly inexcusable. It is safe to infer that the impressionable kids and their astonished parents/guardians are not going to be prepared for such a questionable switch in its dreary overtones. What the bleep?

There is little animal magnetism in the trite tot treat WONDER PARK

The rebellious June reacts instinctively by running off only to coincidentally come across the real-life dilapidated Wonderland in the woods. The garrulous animals stationed there express their fears to June and plead for her intervention to save them from potential danger. Can June overcome her malaise about her jeopardised mother’s medical uncertainties to conquer the darkness that hovers over her and the beleaguered beasts she must protect? Can this girl’s dueling fantasies and realities work side-by-side to rescue Wonderland from its potential unfortunate fate?

Ultimately, ‘Wonder Park’ is a scattershot mess. This whole animated feature is anchored in the meandering makings of its mawkish makeup. The boorish approach to extolling the virtues of youth-oriented creativity and imagination is needlessly misguided and flat. The over-reaching surreal sequences regarding bizarre, psychedelic forces looking to seize the park and spread insidiously are sporadic.

The gamble in fuelling a family-friendly feature with the taboo of illness/death is unconventional, to say the least. But ‘Wonder Park’ never dares to explore this unorthodox angle thoughtfully or honestly while sluggishly using its transparent means to simply link June’s nonsensical exploits accordingly. The movie even fails to capitalise on the teachable lessons of promoting the pros and cons of fantasy and reality for youngsters to ponder enthusiastically with forethought.

‘Wonder Park’ masquerades as a jubilant jaunt through a young girl’s expressive optimism despite familial setbacks. This rug rat romp is minimal at best and has silly-minded cotton candy on the brain. The controversial behind-the-scene dealings (the movie does not have an official director as original helmer Dylan Brown was fired for sexual misconduct) are a tip of the iceberg that does not compare to the actual breezy, banal big screen goings-on of this choppy, daycare dud.

Wonder Park 

Paramount Animation

1 hr. 25 mins.

Starring (the voices of): Jennifer Garner, Matthew Broderick, Brianna Denski, John Oliver, Keenan Thompson, Mila Kunis and Ken Jeong

Directed by: N/A

Written by: Robert Gordon, Josh Appelbaum and, Andre Nemec

MPAA Rating: PG

Genre: Animation/Family Fare Adventure/Fantasy

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2019).

 

FrankOchieng

Frank Ochieng has contributed film reviews to SF Crowsnest off and on since 2003. He has been published in other various movie site venues throughout the years. Ochieng has been part of The Online Film Critics Society (OFCS) and had written film reviews for The Boston Banner newspaper (USA) and frequently is a media/entertainment panelist on WBZ NewsRadio 1030 AM on "The Jordan Rich Show" in Boston, Massachusetts/USA.

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