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The Last Of Us: American Dreams by Neil Druckmann and Faith Erin Hicks (graphic novel review).

  ‘The Last Of Us’ is a comicbook based on the recently released video game of the same name. The setting is post-apocalyptic and the main character is Ellie, the young girl featured on the cover of the game. The comic serves as a prequel. This review covers the first four issues as collected in the first trade edition, ‘The Last Of Us: American Dreams’.

The Last of Us: American Dreams
The Last of Us: American Dreams

Ellie arrives at what appears to be a school for orphaned children. It’s not immediately obvious why there are so many of them, but there are enough hints that the reader gains the idea the world outside is not safe. There is mention of the infected and security is tight and there are a lot of heavies with guns dotted throughout the pages.

After going through a typical initiation, lets beat up the new kid, Ellie befriends Riley, an older girl who is just shy of sixteen. Riley shares the bitter news that on her sixteenth birthday, she’ll be shoved out into the world and given a gun, forced to join the fighting ranks. Riley wants another option, one that is going to involve Ellie, whether she likes it or not.

Riley has an unhealthy interest in the Fireflies, who seem to be a military outfit at odds with the regular forces. It’s unclear if they are at the opposite end of the fight or simply do things differently. When the pair catch up with the Fireflies, things don’t go quite as planned. (Wouldn’t be as exciting, otherwise!)

Chapter four, the last issue collected in this book, reveals the answers to a lot of questions. What type of school Ellie was in and why she was there. The reader also learns about the Fireflies. It’s a very tense chapter and definitely inspires interest in the rest of the story. Previously unexplored sides of Riley and Ellie are exposed, deepening their characters.

I like more painterly art between the chapters that preface the action to come. The soft colours are a nice contrast to the bolder lines and colours of the comic book pages. I also like the pages that tell the story visually rather than rely on dialogue or comments. There are a good proportion of them and they very clearly convey both action and mood. They’re well-conceived. The last few pages feature a series of concept sketches. I always appreciate those additions to the collected editions of comic books.

I enjoyed this comic and I’d definitely keep up with the series. I would like to know more about the world, but I wasn’t overly frustrated by the slow reveal. The infected are zombies and there have been enough books and movies about zombies that I can draw some rudimentary conclusions. What sets this story apart, at present, is the characters. Yes, we’ve seen zombies before. We’re almost numbed to the horror of them. But this is the first time I’ve seen a young female protagonist. It makes a refreshing change.

Kelly Jensen

November 2013

(pub: Dark Horse. 112 page softcover graphic novel. Price: $13.23 (US), £ 9.09 (UK). ISBN: 978-1-61655-212-1)

check out website: www.darkhorse.com/Books/

A preview of the comic is available at the Dark Horse website.

Kelly Jensen

Writer of love stories. Bibliophile. Gamer. Cat herder.

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