Painkillers [2019] (a film review by Frank Ochieng)
Director Roxy Shih’s (‘The Tribe’) psychological thriller ‘Painkillers’ is a horror showcase of a different kind. The decorated demons and lingering
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psychological thriller
The Disappointments Room (film review by Frank Ochieng).
So here we go again…another derivative suburban haunted house horror showcase featuring a harried heroine’s beleaguered state of mind from
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When The Bough Breaks (film review by Frank Ochieng).
The woefully generic ‘When The Bough Breaks’ has the gloss factor going for it to a certain extent. Truthfully, its presentable package
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The Forest (film review by Frank Ochieng)
The backbone of ‘The Forest’s conception is probably more fascinating than the horror film in which the narrative is based
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The Hallow (a film review by Frank Ochieng)
There is no doubt that the majority of horror flicks being churned out for the big screen incorporate a grand
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The Gift (2015) (film review by Frank Ochieng).
Traditionally, horror films and psychological thrillers follow a predictable path in their themes of dot-to-dot suspense. Rarely does a suspense
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The Boy Next Door (film review by Frank Ochieng).
These days one can find busy singer/dancer/actress Jennifer Lopez performing her judging duties on the small screen with the longtime
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The Sacrament (film review by Frank Ochieng).
The vastly underrated ‘The Sacrament’ dares to bring a chilly psychological spin on the disenfranchised in society that have willingly checked out
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Blue Caprice (film review) by Frank Ochieng.
‘Blue Caprice’ is a different kind of riveting horror movie of sorts. No, it does not feature the CGI visibility
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Trance (Frank’s Take) film review.
Writer-director Danny Boyle is an infectious breed of a filmmaker that does not hesitate in flourishing his colorful narratives with
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