Scouts Guide To The Zombie Apocalypse (film review by Frank Ochieng).
We certainly get the inside joke about wanting to skewer something as raucous and ridiculous as lambasting nonsensical and numbing grade B horror flicks that are worthy of such scrutiny. After all, the temptation is just too much to resist in not exposing such throwaway thrills of intentional insipidness, correct? Plus, incorporating a mixture of smarmy filth and frolic involving menacing zombies, hormonal teens, bouncy bimbos and any other fright-driven clichés that one can think immediately off-the-cuff should be enough to satisfy the creepy concoction of craziness, right? Well wrong…especially when the experimental goosebump gags fall flat and feel synthetically repetitive in the over-indulgent and inane fear farce ‘Scouts Guide To The Zombie Apocalypse’.
Sure, some will automatically gravitate to the outlandish ‘Scouts Guide To The Zombie Apocalypse’ and invite the spirit of the movie’s manufactured foolishness as an elborate playful put-on. In many ways, co-writer/director Christopher Landon wants to promote the silly-coated salaciousness of his teasing teen-oriented terror tale with a sly wink and anticipates that the audience will embrace ‘Zombie Apocalypse’ as an unconventional, naughty-minded tangy treat for giddy thrill-seekers. Sure, Landon’s off-kilter humor horror show is meant as an escapist ruse and wears its badge of honor as a brain-dead flesh-and-blood fright fable garnering cheap chuckles. Nevertheless, ‘Scouts Guide To The Zombie Apocalypse’ feels relentlessly lazy, mean-spirited and connects as a raunchy wasteland of sluggish juvenile jolts and jabs.
There is no excuse for ‘Scouts Guide To The Zombie Apocalypse’ to present such a witless, misplaced macabre mess. In an age where spoofing zombie flicks in cinema can be high-minded and heralded in both creepiness and creativity in the shadows of such riotous offerings as ‘Shaun Of The Dead’ and ‘Zombieland’, it is inexplicable how something like the rancid and toothless ‘Zombie Apocalypse’ can be so arbitrarily clueless and contemptible in its strained search for crafting off-balance laughs. Again, it is realised that zombie cinema, however serious or silly-minded, is not exactly on the food chain of being considered a viable selection for the American Film Institute anytime soon. Still, there should at least have been some sense of smartness and perception injected in the aimless zaniness that ‘Zombie Apocalypse’ emits routinely in its languished lunacy. Instead, Landon and his fellow screenwriters invite a series of empty-minded shock value shrills to the proceedings and hopes that the viewers will embrace the cluttered chaos without question. Sadly, some will do just that (read: the indiscriminate teen demo in general) as they will go with the flow and bask in the baseless swamp of tasteless titillation. Consequently, ‘Scouts Guide To The Zombie Apocalypse’ is about as adventurous, amusing and intriguing as a medieval stoning in a rural town square.
Undoubtedly, ‘Scouts Guide To The Zombie Apocalypse’ needs the approval of its boys locker room impishness to feature such graphic and goofy-minded displays of sexual body part piercings to pad the already morose stupidity put forth in desperate vain. If your idea of horror-minded high jinks include the subjection of zombie-related severed penises and constant groping of female breasts then guess what…’Zombie Apocalypse’ will certainly satisfy one’s hormonal guilty pleasures in a heartbeat. In addition, it pays to also have some stunt casting and add to the dumb cheekiness where the likes of the once celebrated Oscar and Emmy-winning veteran actress Cloris Leachman serves as the token oldster to certify the gimmicky warped proceedings. Perhaps Leachman’s former ‘Mary Tyler Moore Show’ co-star in the beloved pop cultural and iconic Betty White was not available to sign on the dotted line for this teen terror train-wreck?
The premise, while highlighting the gore and boyhood gratification of wet dreams, involves a group of youngsters that belong to a scouting organisation while being taught the efficiency of leadership and self-reliance. Naturally, these boys will put their merit badges to the test as they must combat the overflowing presence of threatening zombies that are infiltrating their small community. Not only must these adolescents learn to battle each other competitively and tackle their own nagging growing pains but know they must band together and slaughter the walking dead menaces that look to make some serious ominous waves within their bedroom town.
The teenage terminators that are called into action are Ben, Carter and Augie (played by Tye Sheridan, Logan Miller and Joey Morgan). Of course, this trio fits into the distinctive archetype of youth labeling. Ben is the clean cut kid with some semblance of sensibility. Carter is a handful as the insufferable horndog. Lastly, Augie is the chubby geeky hanger-on. So there you have it, the mini-sized Three Musketeers out to destroy some zombie butt and take down numbers in the process.
The feminine eye candy wrapped up in this monstrous madness includes Carter’s sister Kendall (Halston Sage) who also serves as the convenient object of affection for the love-struck Ben. And what would a horror flick be without the resident curvaceous gun-toting, butt-kicking beauty with the killer instinct of zombie zapping? In this case, that role would go to strip club siren Denise (Sarah Dumont) whose skill in eradicating the zombie pests as she struts around like an armed jiggly cheerleader in heat becomes increasingly distracting or maybe not for some that might find this bombastic and busty Barbie Doll lustfully ‘liberating’.
The boys’ scout leader (former ‘Saturday Night Live’ alum David Koechner) is the accident-prone wonder whose penchant for overcoming various injuries is supposedly laughable yet the joke of his clumsy confrontations quickly tires out and grows old. However, the scout leader is essential to the storyline for the tykes because he suffers the fate of becoming one of the zombies that needs to be destroyed. It certainly does not help matters any when poor Kendall’s safety is jeopardised and the boys, especially Ben in particular, along with Denise’s assisted brashness must rescue Carter’s pretty sibling and protect the town’s masses from the zombie intruders.
For the most part, ‘Scouts Guide To The Zombie Apocalypse’ is a woefully tepid tease that does not care much about its sloppy execution. The scattershot script constructed by Landon and fellow scribers Carrie Evans, Emi Mochizuki and Lona Williams vacillates back and forth in complete cartoonish chaos and it is never clear as to why any of us would want to put stock in hoping that the periled protagonists of this banal roguish romp emerge victorious? The combination of humour, sentimental vibes and sketchy scare tactics overlap and is perceived as annoyingly inconsistent. The deplorable and disposable foundation for the sexual depiction of the females in ‘Zombie Apocalypse’ is insulting and does not invite any sense of truth or revelation besides flashing feminine skin for the sake of giving this horror hiccup some trivial sauciness. The hoards of zombies being butchered in some imaginative selective scenes is at first kind of challenging in an offbeat, exaggerated sort of sinister way. The repetitive slaughtering gradually becomes off-putting and you are left wondering rather or not you were better off chopping off your own limbs for enduring this boisterous bomb in the first place.
Hopelessly choppy and chintzy, ‘Scouts Guide To The Zombie Apocalypse’ could have been stunningly irreverent and still carried out its nuttiness with a coherent slice of clever mockery attached to its brand of mayhem. The zombies genre seems all the rage now within today’s pop cultural climate. Of course, with the continued disconnected gory gumption of damaged duds such as ‘Apocalypse’ the future invitation of visiting the zombie zone in entertainment may become as extinct as the dinosaur.
Scouts Guide To The Zombie Apocalypse (2015)
Paramount Pictures
1 hr. 33 mins.
Starring: Tye Sheridan, Logan Miller, Joey Morgan, Sarah Dumont, David Koechner, Halston Sage, Cloris Leachman and Patrick Schwartzenegger
Directed and Co-Written by: Christopher Landon
MPAA Rating: R
Genre: Horror and Suspense
Critic’s rating: * 1/2 stars (out of 4 stars)
(c) Frank Ochieng 2015