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IllustrationMagazines

Illustrators #24 (magazine review).

As I’ve often commented in other books reviews, it’s always fascinating seeing the film poster art from other countries and how they convey the movies to their respective publics. With the 24th issue of ‘Illustrators’ you get to see an entire wad of French poster art which they call ‘affiche’, which is a direct translation of the word ‘poster’. As Diego Cordoba points out in the text, many weren’t even painted by French artists but by Russian expatriates living there. As such, there is also very little information about them.

All contents copyright The Book Palace Ltd
(c) The Book Palace 2018

So what you have is a mixture of film poster art for home grown French films and foreign films. The latter, usually from the USA, UK and Italy. Spot the actor names on the posters if you can’t figure out the films from the art where they came from before reading the captions but they are very recognisable. It’s not difficult to spot Bogart or Bardot. There are several SF films in the catch, including an early one for ‘Metropolis’ (1927). There are even a few surprises like Moebius and Philippe Druillet turning their hands to them.

All contents copyright The Book Palace Ltd
(c) The Book Palace 2018

Interestingly, only a few have had their art transposed back into the English market so you really are seeing a lot of unique film poster art collection here.

All contents copyright The Book Palace Ltd
(c) The Book Palace 2018

Despite having so little information, Cordoba focuses on five of these artists, their histories are scant at most but made up for with a lot of art. For the record, these artists are: Boris Grinsson (1907-1999), Clément Hurel (1927-2008), Jean Mascii (1926-2003), René Ferracci (1927-1982) and Michel Landi (1932-). As you can tell, only Landi is still alive. With poster art now more than reliant on photos than art, it looks like there will be fewer French artists involved in film posters making this book unusual. One can only hope for a resurgence someday.

All contents copyright The Book Palace Ltd
(c) The Book Palace 2018

From an art point of view, the styles vary from realistic to surreal and I was quite surprised by the diversity. When it came down to actor likeness or even the odd scene from the films used, they were on par with any other artist. It would be interesting to see other countries cinema poster art sometime to show whether culture or subject matter contributes to the art the final work.

GF Willmetts

December 2018

(pub: The Book Palace. 98 page illustrated squarebound magazine. Price: £18.00 (UK), $21.99 (US). ISBN: 978-1-907081-49-1. ISSN: 2052-6520)

check out website: www.bookpalace.com

UncleGeoff

Geoff Willmetts has been editor at SFCrowsnest for some 21 plus years now, showing a versatility and knowledge in not only Science Fiction, but also the sciences and arts, all of which has been displayed here through editorials, reviews, articles and stories. With the latter, he has been running a short story series under the title of ‘Psi-Kicks’ If you want to contribute to SFCrowsnest, read the guidelines and show him what you can do. If it isn’t usable, he spends as much time telling you what the problems is as he would with material he accepts. This is largely how he got called an Uncle, as in Dutch Uncle. He’s not actually Dutch but hails from the west country in the UK.

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