1984: From dystopian nightmare to overused meme (classic movie).
Grab your bottle of Victory Gin, light up a cigarette stuffed with the finest dust you could sweep off the Ministry of Truth’s floor, and prepare to plunge headfirst into George Orwell’s 1984—the film adaptation that’s as relentlessly bleak as the novel, only now with the added benefit of being permanently seared into our collective cultural memory. We’re talking about the kind of movie that, if you mention it at a dinner party, you’ll inevitably get hit with some variation of “Wow, that’s so 1984,” usually followed by an unoriginal joke about Big Brother monitoring the Wi-Fi. But was 1984 meant to become the world’s most overused meme, or was it a warning that we’ve somehow managed to misplace in the dark recesses of our surveillance-happy, algorithm-driven lives?
Let’s talk about the 1984 film, the ultimate exercise in cinematic despair, where even the colour palette seems to have given up all hope. It’s drab, it’s grey, and the only thing more lifeless than the atmosphere is Winston Smith’s face as he resigns himself to the crushing reality of totalitarianism. John Hurt plays Winston with the kind of hopelessness that makes you want to reach through the screen, hand him a double shot of something stronger than Victory Gin, and tell him to run. Fast. (Not that he could get very far, what with the Thought Police breathing down his neck.) Richard Burton plays O’Brien with an air of smug indifference, like a guy who knows he’s in charge of the worst job in the world, but he’s going to enjoy every second of it anyway.
So, why this film, and why now? Because apparently, no matter how many times Orwell told us 1984 was a warning, society seems to have taken it as a how-to manual. Surveillance cameras on every corner, governments hoarding your data like it’s a Black Friday sale, and the fact that “Big Brother is watching you” has turned into the equivalent of a bumper sticker rather than the terrifying concept it was meant to be. 1984 is everywhere—it’s been referenced so much, it’s practically lost all meaning. At this point, when someone says “Big Brother is watching,” they’re just as likely to be talking about a reality TV show as they are an oppressive regime. Orwell would probably be rolling in his grave, except, you know, there’s likely a camera installed there too. Just in case.
For those uninitiated in Orwell’s depressing dystopia, let’s recap: Winston Smith lives in a world where the Party controls everything—thought, language, history, reality, you name it. Newspeak trims down the English language until it’s about as expressive as a shopping list, while the Thought Police ensure nobody’s thinking anything too subversive. It’s like Twitter, but if every tweet you didn’t like resulted in Room 101 instead of a mute button. Winston, being the ungrateful rebel he is, tries to defy the system by thinking for himself, reading banned books, and falling in love—all of which turn out to be the worst possible ideas when living in a surveillance state. Spoiler: it doesn’t end well for Winston. Or for the viewer’s sense of optimism.
One of the central (and frankly more depressing) questions posed by both the novel and the film is: how can a society so familiar with 1984 end up resembling it? It’s almost as if we collectively missed the point—like watching Jaws and deciding to jump into shark-infested waters for fun. Every time a government official trots out the phrase “for your safety,” or some social media platform quietly adjusts its terms of service to collect even more of your personal data, you have to wonder if 1984 has shifted from being dystopian fiction to just a Tuesday afternoon.
Of course, we can’t forget the infamous Goldstein’s book from the novel, that subversive text within the story which dares to explain the mechanics of totalitarianism. It’s the kind of deep dive into political theory that your high school teacher wanted you to read, but you skipped in favour of flipping ahead to the torture scenes because, let’s face it, Winston’s misadventures in Room 101 were far more visceral than comparing Orwell’s work to James Burnham’s Managerial Revolution. (Yes, Burnham, the guy who argued that bureaucrats would eventually rule the world—a prediction that now feels less “out there” and more “daily grind in a cubicle farm.”) Orwell’s Foreword to Burnham’s theory is like the polite scholarly note before the inevitable gut-punch of hopelessness kicks in.
In the end, the real question isn’t how we got here. We know how—we built the surveillance systems, we embraced the data mining, we invited Big Brother into our homes through smart speakers and social media profiles. The question is, why didn’t we listen when Orwell warned us in the first place? Why did 1984 turn from a harrowing vision of the future into a lazy meme for every slight inconvenience in modern life?
So, let’s pour ourselves another glass of Victory Gin, pretend it doesn’t taste like industrial cleaner, and remind ourselves that 1984 isn’t just a meme, it’s a mirror—one we should probably stop ignoring. Or maybe we’ll just keep scrolling on our phones, because hey, Big Brother’s already watching. Might as well give him a good show.